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Synchronicity II

 
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JCirri  





Joined: 04 Feb 2006
Posts: 4576

PostPosted: Wed Aug 01, 2007 7:47 am    Post subject: Synchronicity II Reply with quote

Note Chart
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B12ad  





Joined: 15 Mar 2007
Posts: 202
Location: Toldeo, Ohio

PostPosted: Thu Aug 02, 2007 6:34 pm    Post subject: Reply with quote

This may be my first time ever attempting to make a decent path, but is 2-3-2-2 a good path for this song? Critisicisms welcome, I want to know if its bad or not.

Thanks.
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backinblack167  





Joined: 22 Nov 2006
Posts: 438
Location: Illinois

PostPosted: Thu Aug 02, 2007 7:58 pm    Post subject: Reply with quote

2-3-2-2 seems to be the correct path.
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ellijos5  





Joined: 01 Oct 2006
Posts: 971
Location: Missouri

PostPosted: Fri Aug 03, 2007 4:58 am    Post subject: Reply with quote

2 - Activate at measure 53 on the

3- Activate at measure 95 on the

2 - Activate at measure 151 on the (Not quite sure on this one, but its somewhere in 151)

2- If you can't hit that fast part at the end (me) then wait for the chords. If you can use around measure 185.

Now if only i could execute this path without stupid mistakes.....
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machchunk  





Joined: 28 Oct 2006
Posts: 3829
Location: Pasco, WA

PostPosted: Fri Aug 03, 2007 5:54 am    Post subject: Reply with quote

So... I don't get it. I thought 3-2 for the first 5 phrases was better? What exactly do you gain by doing 2-3?
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stupidfan  





Joined: 07 Jan 2007
Posts: 84
Location: California

PostPosted: Fri Aug 03, 2007 8:15 am    Post subject: Reply with quote

2-3-2-2

http://i25.photobucket.com/albums/c53/stupidfan/synchronicity2sp.jpg
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de1337ed  





Joined: 27 Oct 2006
Posts: 1066
Location: JMU, VA

PostPosted: Fri Aug 03, 2007 11:45 am    Post subject: Reply with quote

If the first activation is really after 2 phrases, you should obviously activate immediately unless all the measure point values are off. One 561 and a bunch of 392's is significantly better than all 400's.

On the second activation in 2-3-2-2, you should wait til the first chord, then you only have 1 gap between the chord section and the other notes in the activation (What you guys have has a gap before and a gap after the chords) You shouldn't even be capable of overrunning the next SP.
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debr5836  





Joined: 11 Apr 2007
Posts: 1159
Location: Fort Collins, CO

PostPosted: Sat Aug 04, 2007 3:09 pm    Post subject: Evenly spaced blank charts from debr Reply with quote

Here is a link to my evenly-spaced blank chart with the SPs outlined in green:

debr's blank chart

Please post any bugs/questions about these charts HERE.
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backinblack167  





Joined: 22 Nov 2006
Posts: 438
Location: Illinois

PostPosted: Mon Aug 06, 2007 3:33 am    Post subject: Reply with quote

Okay, so what is the real spot that the last activation should go? I've tried doing it on the second little solo lick after the O hold, and also on the YBG chord after the YBG hold. Activating on the YBG chord has gotten me a better score, but I don't know if it's a better spot or if I was grabbing more of the squeezes and ticks earlier in the song.

EDIT: Actually, just counted the notes. Starting on the second lick in the solo seems to be about 100 points better, but it involves getting a kind of tough squeeze on the GRY chord after the GRY hold. If you don't get it, activating at the YBG chord seems 500 points better.

EDIT2: I want to see Legleg or Smoky's path.
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B12ad  





Joined: 15 Mar 2007
Posts: 202
Location: Toldeo, Ohio

PostPosted: Tue Aug 14, 2007 4:31 am    Post subject: Reply with quote

Yay my first path post wins!
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Barbaloot  





Joined: 02 Feb 2007
Posts: 1583

PostPosted: Tue Aug 14, 2007 4:37 am    Post subject: Reply with quote

Synchronicity optimal path

For the last activation, if you can't hit that squeeze starting on the R hammer in the solo, it is slightly better (and much easier) simply to activate on the chord in measure 194 and have it end after all the chords in 198.
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anonymous_9  





Joined: 01 Jan 1970
Posts: 0

PostPosted: Thu Aug 23, 2007 6:01 am    Post subject: Reply with quote

This post has been deleted.
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PieGuy  





Joined: 01 Mar 2007
Posts: 2836
Location: Long Island, NY

PostPosted: Thu Aug 23, 2007 1:13 pm    Post subject: Reply with quote

wildgeg wrote:
Barbaloot wrote:
Synchronicity optimal path

For the last activation, if you can't hit that squeeze starting on the R hammer in the solo, it is slightly better (and much easier) simply to activate on the chord in measure 194 and have it end after all the chords in 198.


doesnt leg use his second activation slightly later? at the chords?
and if i remember correctly he used his last one after the solo, i may be wrong though.
As far as I can tell, starting the second activation at the chords yields the same amount of points since the notes are all spaced out evenly. It's just a matter of where you feel more comfortable activating.
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Barbaloot  





Joined: 02 Feb 2007
Posts: 1583

PostPosted: Thu Aug 23, 2007 9:47 pm    Post subject: Reply with quote

For the second activation, starting either where I have it or starting at the chord yields the same number of points. Also, I would recommend to almost everyone just to activate on the chord in measure 194 for the last activation (instead of the one I drew), but the best squeezers may be able to hit the squeeze drawn on the chart, which is slightly better but much more difficult.

The path I posted was the optimal path I came up with by looking at the chart. I didn't just watch Legleg's video and draw what he did, so it isn't necessarily going to match what he did.
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